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劇情介紹
查看完整視頻信息
影片名稱: 燃燒女子的肖像
影片別名: 浴火的少女畫像(港),燃燒女子的畫像(臺),燃燒的女子肖像,火吻女孩的肖像,浴火女孩肖像畫,年輕女孩的肖像畫,燒女圖,浴火女子像(豆友譯名),Portrait of a Lady on Fire
影片類型: 劇情 愛情 同性
影片年份: 2025
制片地區: 法國
由瑟琳·席安瑪執導,2019年上映的《燃燒女子的肖像》,是由諾米·梅蘭特、阿黛拉·哈內爾、盧安娜·巴杰拉米、瓦萊麗亞·戈利諾、克里斯特爾·巴拉斯、阿曼德·博蘭格、蓋·德拉瑪什、米歇爾·克萊門特、克萊門特·布依索、塞西爾·莫雷爾領銜主演的電影。
該影片于 2019 年在法國上映,由諾米·梅蘭特、阿德拉·哈內爾、盧安娜·巴伊拉米、瓦萊麗婭·戈利諾、克麗絲特爾·巴拉斯、阿芒德·博蘭格、蓋伊·德·拉馬什、米歇爾·克萊門特、克萊門特·布伊索和塞西爾·莫雷爾主演。導演:席琳·席安瑪。故事講述了1760年的法國布列塔尼,才華橫溢的年輕畫家瑪麗安(諾米·梅蘭特飾)在對方不知情的情況下受委托為富家小姐愛洛伊絲(諾米·梅蘭特飾)畫畫。阿黛爾·哈內爾婚前的肖像。兩人在孤島上相依為命。畫家白天默默地注視著小姐的一舉一動,只有晚上才專心作畫。在畫與被畫的密切關系中,即使是在充滿倫理限制的時代,兩者之間也逐漸產生了一種禁忌和曖昧的感覺。隨著結婚日的臨近,他們的愛情也愈加深厚。暴力…。豆瓣評分達到8分,展現了復雜的人物關系和令人難忘的故事情節。
This movie is a tribute to nostalgia, the seaside wind, the reed bush and the fire that is creating and destroying everything.SurveillanceThe absence of males is intriguing our curiosity in the movie, the world is made and operated by the female. When we talking about the "Surveillance", we will mention the "male's gaze", in the sexual sphere, male as the so-called "controller" who can use their power to regulating the female and let them under the surveillance. This concept is derivated from the binary and the hierarchy system which thinks the male is in the dominant place and the female is submissive, so the male has the right and duty to surveillance the female and lets them obey the male's willingness. But this nun style movie betrays the binary-power construction-- the mother takes the position and sits on the top of the hierarchy. She is charging everything in the house and everyone must follow, so the tragedy of the sister's suicide and the miserable wedding are the vicious price of the family. The portrait of the hostess is a fuse to let the females on the same stage, the painter's coming is not stop in her own artic filed but have ordered the extra work is to help the mother to surveillance the hostess. The servent is the third party act as the secret keeper but also helps the mother to observe her daughter.This is the power mode of the family, the male's absence makes the family as a queen's kingdom, the mother on the top of the hierarchy have a god perspective to surveillance everyone in the game, she is the motor of the family and also the root of the tragedy. So when she left for some days the inanimate house convert to a paradise immediately.BodyA female portrait another female look a little wired when we first at a glance of the movie, because in the history of art, only male can hold the privilege to portrait the female and never vice versa. Like the painter said that it's obscene to draw a male's body by a female at that time. The female who wants to be an artist would be confronted by a lot of obstacles, so the female artist in the pre-modern epoch has a very narrow career path and lots of restrictions pushed to them. At this point, the movie had a great exploration to let the female's body be seen by the same tribe's members.Even though it's a lesbian theme, but rarely seen the erotic element in their interaction. The "see" and "be seen" reach to the harmony, it's not a species curious about anther and used the color eyes on them or maybe have the ambition to conquer them. It's about equal communication from the surface to the inner heart, equal exploration to each other's body, equal companion from day to night.Although they are from different social stratum, the admiration from the body to the heart is united more and more tightly. The body is not only be seen but also be felt, be explored, be understood. The more they know their body the more they can help others, so we can see the servant be helped and be portraited also. It's an equal flesh and spirit world that the three different backgrounds and stratum females can share the literature time in the candle's glimmer light, can help each other to come through the period time. their body and mentality are on the same page when they realize their body shouldn't be regulated by the surveillance and possessed by the male.UtopiaLike the other LGBTQ films such as ,,。
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